 |
Galápagos - Adriano Campagnani
|
 |
Mangabeira - Túlio Mourão |
 |
Orquestra Bossa Jazz - Edson Soliva
Interpretação das obras de Pacífico Mascarenhas |
 |
Osmar Milito Trio - Samba Jazz |
 |
Letícia - Antonio
Valdetaro & Grupo
|
 |
Suíte
Brasil - Tabajara Belo e Bruno Pimenta
|
 |
Fábulas - David Santana |
 |
Do Erudito ao Choro - David Santana
|
 |
|
 |
Bonalerato - Cláudia Cimbléris www.claudiacimbleris.com |

|
Sarkis - Cláudia Cimbleris
In a daring and contemporary work the author
reunites, with absolute property, Marco Antônio Guimarães’ songs
as well as hits by Flávio Venturini. The result is instigating,
pleasant and universal music. Instead of rereading the themes, Claúdia
Cimbléris simply reinvented the so thought eternized. Everything
sounds fresh and intemporal.
www.claudiacimbleris.com
|
 |
Trópico de Capricórnio
- Paulo Oliveira
|
 |
Autoral - Celso Moreira
|
 |
Dudu Braga - Dudu Braga
|
 |
Bossa Livre - Edu Puperi Quarteto
|
 |
Raizes Trançadas - Felipe
Coelho
|
 |
De outros carnavais - Philippe
Lobo
|
 |
Descansado - Claudio Menandro
|
 |
Sombra e Água Fresca -
Claudio Menandro
|
 |
Tabajara Belo - Tabajara Belo
|
 |
|
 |
Singular
- Chico Amaral
|
 |
Presságios
- Eduardo Agni
|

|
Rei Congo - Jairo de Lara
|
 |
Suíte para os Orixás
- Esdra Neném Ferreira e Mauro Rodrigues
|
 |
Impressions in Blue - Adriano Grineberg & Edu Gomes
|

|
Cliff Korman Vol. I
- Pacífico Mascarenhas
|

|
Cliff Korman Vol. II
- Pacífico Mascarenhas
|
 |
Cordas
e Janelas - Márcio Britto e Roberto D'Oliveira
|
 |
Minas - Marcelo Morais
|

|
Mapa - Weber
Lopes
|
 |
Aurum Parapoukos
- Gilberto Mauro
|
 |
Riva - Violão Solo - Juarez Moreira |
 |
Juá - Juarez Moreira
|
 |
|
 |
Samblues - Juarez Moreira
|
 |
Bom Dia - Juarez Moreira
|

|
Encruzilhada - Geraldo Vianna
|

|
Solos de Violão
- Geraldo Viana
|

|
Chico Rei, uma dança
- Geraldo Vianna
This album describes the history of na African
king that was captured and brought to Brazil as a slave. Through
the Afro-Brazilian rhytms and its influence in the Brazilian Popular
Music, Geraldo Vianna and Fernando Brant created themes in a fusion
of chants, percussion, piano and a little orchestra. |

|
Era Madrugada - Geraldo
Vianna
The album shows a performance in "trio"
- acoustic guitar, bass and drums on which Geraldo Vianna presents
his own compositions and new arrangements for well-known composers
of Brazilian Popular Music. The emphasis is given to the improvisation:
all instruments mix within each other, creating a new sound. |

|
3 Portas
- Violão Contemporâneo - Geraldo
Vianna
|
 |
Instrumental - César
Brito
|
 |
Cordas Harmonicas II - Cesar Brito
|

|
Cordas Harmônicas - César
Brito
|
 |
Subsolo - Juarez Maciel e Grupo Muda |
 |
Planos
- Juarez Maciel e Grupo Muda
|

|
Casa - Juarez Maciel e Grupo
Muda
|

|
Desenho - Juarez Maciel e
Grupo Muda
|

|
Objeto Sonoro - Juarez Maciel
e Grupo Muda
|

|
Revinda - Cléber Alves
|

|
Trilhas - Celio Balona
|

|
Oriki - Eduardo Agni
|

|
Oiapok Xui - Uakti
|

|
Clássicos - Uakti
'Clássicos' presents colored
and intense arrangement and performances of 16 famous classical
themes, created and performed by Uakti. Respecting the original
partitions, the group brings through its magical universe, classical
masterpieces of the universal culture that belong to our collective
memory. The group creates its own instruments. It has already released
albums with Milton Nascimento, Philip Glass and Manhattan Transfer
and represents the great Brazilian music creativity and innovation.
|

|
Mapa - Uakti
“Mapa”is a different musical
experience ins UAKTI career. As defined by the composer Marco Antonio
Guimarães, “MAPA is essencially an album of songs”.
Includes the soundtrack created by Uakti to the ballet group Corpo.
Also includes Uakti’s coletive creations and a percussive
arrangement for Ravel’s Bolero. |

|
I Ching-
Uakti
At the first sounds of this CD, you will
notice the mystic atmosphere that comes from the unusual and original
instruments created by these great musicians, in a real musical
revolution. |

|
21-
Uakti
The most acclaimed Brazilian instrumental
group in the world nowadays, UAKTI composed this album specially
for a ballet piece entitled "21" performed by the world
famous dance company "Grupo Corpo". UAKTI's magical atmosphere
comes from the unusual and original instruments created by themselves
in a real musical revolution. |

|
Trilobyte - Uakti
The Uakti has chosen some of the most creative
Brazilian composers to the repertoire of the album Trilobyte. Brazilian
Popular Music, Milton Nascimento and Elomar, received new arrangements
and had an increase in its percussive parts, a remarkable characteristic
of Uakti’s style. |

|
Águas da Amazônia - Uakti
In this álbum, the Uakti group performs
Philip Glass’ compositions and also the soundtrack of “Sete
ou oito peças para um ballet” (Seven or eight pieces
for ballet) for Corpo Ballet group. “The music of Philip Glass
has never sounded so organic like in this Uakti’s performance”
– Billboard Magazine. |

|
Mulungu do Cerrado - Uakti
eTabinha
Percussion and poetry - those are the elements
used to create the musical language of this work. The repertory
includes folk songs, congado and songs composed by Milton Nascimento
with Marco Antonio Guimarães (UAKTI), lyrics by Ronaldo Bastos.
|

|
Baticum - Marco
Antônio Guimarães
One of the most rewarded composers in Brazil,
Marco Antonio Guimarães composed many soundtracks for ballet
and movies.
"Baticum" belongs to a new creative period, where the
composer performs all instruments, acoustic and electronic.
"Baticum" is music to dance with body and soul. |

|
Mandrágora - Mandrágora
The instrumental style of Mandrágora,
band of several acoustic guitars, by Daniel Sarkis and Jorge Brasil,
goes through innumerable sonorities free of conventionalisms. See
more at www.mandragora.mus.br.
www.mandragora.mus.br.
|

|
Cumplicidade
- Clóvis Aguiar
In "Cumplicidade", Clóvis Aguiar shows intimacy
with the piano. Taking advantage of the popularerudite, the composer
performs his songs with high quality effects and good taste in a
very Brazilian way. Special participations: Juarez Moreira and Hélio
Delmiro. The tracks "Cabeça de Peixe", "Meu
Tom" and "Valsa dos Quarenta" deserve special attention.
|
 |
Barro Oco - Maria Bragança
Barro Oco is a new interpretation
over Brazilian popular music with a special focus on our European,
African and Indian origins. The album carries up with a deep Brazilian
artistic identity, confirmed by the choice of the instruments and
the folklore themes. Songs of Milton Nascimento, Lamartine Babo,
Cartola and Villa Lobos.
www.mariabraganca.com.br
|
 |
Alma Barroca
- Maria Bragança
“Alma Barroca” is a
study of the influences of cultural and musical fusion between Europe,
Africa and Brazil. Maria Bragança searches, in the beginning
of XXI century, to transcend frontiers with her own perfomances,
recovering memories, creating new styles and suggesting new possibilities.
More than an artistic expression from a historical period , the
Baroque is an expressive part of the constitution of Brazilian culture.
In this album, plays of the Baroque period, Villa Lobos, Pixinguinha
and other composers.
www.mariabraganca.com.br
|

|
Trova Brasileira
- Maria Bragança
Sax player Maria Bragança
makes a transparent reading of the motives fusion in the outstanding
production of Brazilian music during the first half of the 20th
century. Guitar player Toninho Horta and maestro Antonieta Silva
help her in the deconstruction of the barrier between erudite and
popular, interpreting a great repertoire of the universal and intemporal
Brazilian music.
www.mariabraganca.com.br
|