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Alberto Nepomuceno
- Eduardo Hazan
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A Nova Música de Minas -
Hazan interpreta Andersen
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Joaquim Callado
- Sebastião Vianna
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Barbara Garcia
- Piano
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Medievo -
Música Antiga da UFF
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NEW! GREGORIAN
CHANT - RORATE - Coral Gregoriano de Belo Horizonte |
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New! O
Cravo e a Rosa - Antonio Carlos de Magalhães |

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Modinhas
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Padre José Maria Xavier - Ofício de Trevas Vol. II
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Quadro Cervantes
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Pattapio
Silva - Sebastião Vianna
Patápio Silva was, in his brief career, considered the Brazilian flute greatest virtuous. He left masterpieces such as Primeiro Amor (First love), Margarida (Daisy), Sonho (Dream), Serenata D’Amore (Love serenade), Amor Perdido (Lost love) and Zinha. Sebastião Vianna, (88 years old) maestro and flutist, reunites and interprets this work regarding the composer’s original recordings to the Casa Edison (Odeon).
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Ernesto Nazareth - vol 1 - Maria Teresa Madeira
Considered the greatest composer of the
Brazilian "belle-epoque", Nazareth took his music inspired
by the popular moods of Rio de Janeiro to the concert halls at
the highest
technical level.
You'll find true musical jewels on this album. The best of his work
are in these two volumes of the Brazilian Masters Collection, in the
performances of the greatest specialist of his music, the pianist
Maria Teresa Madeira.
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Ernesto Nazareth - vol 2 - Maria Teresa Madeira
Ernesto Nazareth was one of the creators of
the true Brazilian Music, mixing the European classical tradition
with tropical rhythms. This album is a collection of his masterpieces
and is performed by the finest Brazilian pianist of the genre - Maria
Teresa Madeira, who has been an ambassador for the composer's music
around the world. |

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Carlos Gomes -
Rosane Viana, Walter Alves e Regina Amaral
It's an álbum with fifhteen unpublished
works of the greatest brazilian composer of the XIX century,
Carlos
Gomes in a first world-wide recording , interpreted by pianist
Regina Amaral, clarinetist Walter Alves and soprano Rosane Viana. |

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Chiquinha Gonzaga
- Maria
Teresa Madeira
First volume of the "Brazilian Masters" series
with unpublished musics of Chiquinha Gonzaga and the piano of Maria
Teresa Madeira. |

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NEW! - Alma Brasileira
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NEW! Moravian Philarmonic Orchestra (Moravska Filarmonie)
Composed, directed and produced by Andersen Viana
This is the first international recording of a Brazilian composer-conductor and producer heading a top European orchestra: Moravska Fillarmonie (Czech Republic). The music was composed, conducted and produced by Andersen Viana. It collects five pieces in many styles: symphonic jazz (Concert Piece "in Blue"), folk music (Suite of Brazilian Children's Songs), polytonality and tonality (Micro Suite), serialism (Quattuor) and an ethnic symphony featuring a Beethovenian development: Symphony No 3, named Terra Brasilis.
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A Chantar
This album is the result of University of
Rio de Janeiro early music group's work, portraying the women's musical
and literary past of medieval France, including French and Italian
instrumental dances of unknown authors. |

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Cânticos
de Amor e Louvor
On this CD are the only cantigas de amigo
in Galician Portuguese from the 13th century that have survived till
today with lyrics and music intact. They are complemented by some
cantigas de louvor found in manuscripts of the Cantigas de Santa Maria,
also from 13th century Portugal. |

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Música
no Tempo das Caravelas
In 1999, on the celebration of 500 years of
the Discovery of Brazil, old music teachers of the University of Rio
de Janeiro State, release this CD with portuguese songs from the first
half of the XVI century. |

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Quadro Cervantes
Quadro Cervantes is currently one of the
most significant active early music groups in Brazil. Celebrating
the 500th
anniversary of Brazil's discovery, the group released this album
with Portuguese Medieval and Renaissance pieces, some music of
the Baroque
period and "modinhas" and "lundus" of the 18th
and 19th centuries of Brazil. The group played antique instruments
in the recording of this album. |

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Duo - Artur
Andrés e Regina Amaral
In Duo flautist Artur Andrés and
pianist Regina Amaral interpret some of the most exquisite repertoire
scored
for flute and piano. Their quest for expressivity permits them
to go from faithful interpretations of Villa-Lobos or Poulenc
to interpretations
of Satie and Bach in which they assume the search for singularities
in each piece as the phonics of their work. |

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Sabará - Antônio
Carlos de Magalhães
Compositions for harpsichord of the Brazilian
Baroque period, played with mastery by Antonio Carlos de Magalhães. |

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Virtual Orchestra
- Andersen
Viana
Electro-acoustic, symphonic and programmatic
music. This is the first CD recording by Andersen Viana. This album
contains six different pieces which use modalism as well as medieval
instruments (The Priestesses of the Vestal Temple) until the Green
Suite, which is a fusion of various aesthetics and musical techniques
(tonality, modality, polytonality and atonality). This work is the
beginning of a new orchestration theory: The Virtual Orchestra. |

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Symphony 2
- Andersen Viana
Symphony No. 2 (Open Symphony) is program
and descriptive music which tells, through its fourteen movements,
the history and development of a city, from the prehistoric passing
by its first inhabitants and explorers till the hypothetical and futuristic
city, where robots, spaceships and humans harmoniously share the same
place. |

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Moravian Philarmonic Orchestra (Moravska Filarmonie) - Andersen
Viana
This is the first international recording
of a Brazilian composer-conductor and producer heading a top European
orchestra: Moravska Fillarmonie (Czech Republic). The music was
composed,
conducted and produced by Andersen Viana. It collects five pieces
in many styles: symphonic jazz (Concert Piece "in Blue"),
folk music (Suite of Brazilian Children's Songs), polytonality
and
tonality (Micro Suite), serialism (Quattuor) and an ethnic symphony
featuring a Beethovenian development: Symphony No 3, named Terra
Brasilis. |
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Claves, Notas e um Piano - Arthur Bosmans
The most modern of Brazilian musical classics,
represented by the Belgian-Brazilian maestro. Repertoire performed
by the greatest interpreters of the great piano concertos in the world,
now in its first recording. |
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